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“Myths and stories are how we have made sense of the world for as long as we’ve been wandering the planet,” says Gaiman, 61, who helped oversee Netflix’s long-awaited “The Sandman” series, which premieres on Aug. Whether he’s turning death and dream into flesh-and-blood characters, as in his classic comic series, “The Sandman” populating the modern world with figures from ancient myth in fiction best sellers like “American Gods” and “Anansi Boys” or conjuring eerie new children’s fairy tales and ghost yarns (“Stardust,” “Coraline”), the British-born author’s genre-jumping writing is a constant reminder that the stories that linger longest, that move us most profoundly, are often the ones that can’t be turned into means but function as ends in themselves.
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In recent years, the word “storytelling” has been thoroughly absorbed by the language of commerce, reshaped into self-aggrandizing doublespeak for “selling.” Which only increases the countervailing need for storytellers in the more artful, ancient and magical mold of Neil Gaiman, who conjures fictions that stir up our primal fears and darkest desires, our subconscious yearnings and unspoken fantasies.
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